electronic streets
muttering tapped out words
left as a bench mark
Home for musings and poetry.
No sour grapes these,
rather the withered sweetnessInfectious rage and grief and bewilderment
of how we ended up back here among horrors
once escaped, engulfing us again,
lost cause humanity
on the edge of oblivion or
a miracle performed by Living Word
at this point my vote as meaningless
as my last visit to a ballot box,
this mote of electronic dust
taped to the echo chamber of a blog,
resonant with emptiness,
exiled on main stream flutter in a stilling breeze.
Silence smiles because I say so,
and line lengths grow until they don't reach apogoee
except when nudge over the lip of an ending.
Her majesty the Queen, Elizabeth the Second of my entire life
reigned over me like a bow until a quarry forklift operator
told Kenny Jackson and Me "they're saying the Queen die."
She was my majesty, now she is Saint Elizabeth of Balmoral,
heiress to the Anglo Saxon monarchs and Saints found
in the histories of Bede’s English Speaking people:,
kings and queens with all their miracles,
created by he or not, the pantheon of his pen,
in whose company Elizabeth of Balmoral has now entered.
The miracles of her rule were simple goodness, the wonders of
her dedicated service were heroic examples of grace under pressure
duties faithfully to her own ascension promise; she was a young
mother who became grandmotherly a rock for nearly
half our nation’s existence: for one third of all international peoples
in the British Commonwealth, whatever their politics and views of
monarchy many are bowing heads to honour her passing, conscious
of her strength of character, her essential goodness in hard places;
for a woman to be, to be the woman to whom elephant matriarchs in
Africa acknowledged her just before he father’s death,
trumpeters of her ascension, the reason for her return to London,
my fair lady-o.
Scuttling up Yonge before dawn
the morning of my twenty-seventh birthday,
my accomplishments to date,
a filing cabinet full of manuscripts
and rejection notices.
I have driven hack and cleaned vomit
from stifling halls while King Tut's death mask
looked on with a smile,
I have parachute-panted in Voodoo's
and held court
beneath spray-painted prophecies.
I have been laid in Anglicans woods
by a woman I never met again,
I have walked streets littered with roses
scattered under after-hour crowds
on my way to booze-can dance floors
overflowing with musicians, dealers,
groupies, strippers and sundry flotsam like me.
But now with the moon hours from predawn,
clearing clouds in the tunnel of downtown
I pass the archway of stone
that stands inexplicably at the mouth of McGill,
the women's club a few row houses in:
I'd once been a guest inside with a Halloween Butterfly.
North of Wood Street, two jean-jacketed headbangers
from Scarberia wade through junk strewn about Yonge – he
in an AC/DC t-shirt and she in one claiming
'And on the 8th Day God created Led Zeppelin'
– although I can't help but doubt it.
A copy of the Plain Truth magazine sprawls
with an empty bottle of wine in a doorway.
A transvestite sits with a male, dwarf-punk prostitute
on the steps of the Country Style Donuts
eating French crullers.
In the always-open Super Duper Sub Shop
the guy with the eternally greasy ponytail is working.
"If you like Genesis you'll love Myth"
claims the poster outside the Gasworks;
'Save Daily on Supermarket Specials'
answers the ad on the Star box.
I
turn off Yonge preparing myself for the way
the leaves on the trees will animate
the final play of twilight,
instead I come across two coupling cats in the gutter.
Dawn pales into rolling clouds piling up
on the distinctly planetary horizon.
My door closes behind me with a click
that no on hears but me, and Atlas,
stained glassed into the mythos of window.
Before eventual sleep, there is a call from my brother
salvaging the last vestiges of my optimism with small talk.